Sketching Sectional Concepts
Saturday, October 30, 2010
Sectional Sketches
<div style="width:480px; text-align: center;"><embed type="application/x-shockwave-flash" wmode="transparent" src="http://w29.photobucket.com/pbwidget.swf?pbwurl=http%3A%2F%2Fw29.photobucket.com%2Falbums%2Fc261%2FSPSoccer3%2Fc6d8cdc5.pbw" height="480" width="480"><a href="http://photobucket.com/slideshows" target="_blank"><img src="http://pic.photobucket.com/slideshows/btn.gif" style="float:left;border-width: 0;" ></a><a href="http://s29.photobucket.com/albums/c261/SPSoccer3/?action=view¤t=c6d8cdc5.pbw" target="_blank"><img src="http://pic.photobucket.com/slideshows/btn_viewallimages.gif" style="float:left;border-width: 0;" ></a></div>
Tuesday, October 26, 2010
Sunday, October 17, 2010
Juan Gris, The Book pt. 13
After discussing my thoughts on the site and the drawdel, I decided to add more to it to convey the idea stronger and first manipulated the study model, before moving up to the bigger scale 22" x 32" drawdel. I decided to create channels which derived or are guided by extending the lines of the buildings bordering my site and then those of the carpenter center. Doing this added a sectional quality to the drawdel and defined the site better.
Wednesday, October 13, 2010
Juan Gris, The Book pt. 12
Models for mapping / drawdel. Idea is to show contrast between symmetrical lines of organization of buildings and the organic flow of the pedestrian paths within the site and then connecting the two through the buildings that perimeter the site I chose.
Thursday, October 7, 2010
Juan Gris, The Book pt. 11
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9sECn1hOEZm5WNBEYDXup-0fM-kmt1pMFtYazgZ-WTTBiE3PZZOU9D1omdOiH9FOQCGMGQYPfomt4zO2PSHWRWqA1YOR6cBeI6XrO8SCG0PDd09LI_msfVrR55m4kwzoAAaVxdrG7Qdz3/s200/IMG+003.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMDRjhOl4FXcFWs8XJ1B5jmtOXBC0uEBZzFpasFvrKWeVEeBEOJEsG7eBnfkrIJrothbXZ1u2XB8xrQDApCsTO8EL7OjSmVyu5OGuaz546hVKstTp3siW85RbG6lBIY24XwdLG1HxZWXKF/s200/IMG+005.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9itJc5z7noBcZXNCL6JsDhiG52uIVF5Wb4Xg-qiZ-TuX7Hu7sd-3mSYFU_w0oaByd9wO58QexX5Ra3Z4IfDBu-MvetitAyz6HJrdczqn-MvOEA01o8cgicNNmk4QqkA33sm-5vupfHJti/s200/IMG+004.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisXrxxLbrAVZ4w0usx7322U7O3Kaav5quBJ_gHiFFcbMnzXc3eUShL6Jc83-cOlbOwLzfEY7TRyu4mv7EZgMMFvF6DQnQpD-6jzPW_YZO2kYymwn-xGtCcy1GLk5elgUpIDPQWQCB7r-pY/s200/IMG+001.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZjSS43u9bennb0dh-9Rqlr_VSiDQemDExSUmfY-JHHXcCsq4n1TJnFXC2djEzMO3EMrpsDiqy_jEPA56Z2ZiX2nexIT3UufT-VVjsA0EA6f7bNABdW0YJpH1Ch7XT8inFjt6RQ-mCzlo9/s200/IMG+002.jpg)
Tuesday, October 5, 2010
Juan Gris, The Book pt. 9
On Friday we presented our projects. To the left is my entire pin up. The two pictures below that are exploded axonometric ink drawings. For the presentation I explained the ideas that I carried from my precedents into my seeing devices. These ideas were that the parallel vertical lines in the painting by Juan Gris and the parallel structural walls of the Sarabhai house were used to structure both works so that I wanted to highlight the structural walls I created in my landscape model by creating a seeing device that would just show the walls when looked through. The second device was to create a screen of nothingness with no evidence of structure supporting it, the exact opposite of the first vision machine and principles of other the other works.
Subscribe to:
Posts (Atom)